Piccolo Spoleto Juried Art Exhibition 2013

Charleston Visitors Center
site of the
2013 Piccolo Spoleto Juried Fine Arts Exhibition

                                                                                                                                                                If you're in Charleston, SC come by the   Charleston Visitors Center
 to see the 2013 Juried Fine Arts Exhibition.

I'll be the artist in attendance at the show today May 28th from 9am -1pm and would enjoy talking with you and showing you the wonderful artwork selected for the exhibition from artists throughout South Carolina.

Exhibition of Paintings and Drawings of Santee Coastal Reserve SCDNR Wildlife Management Area by Artist Katherine M Schneider on Display at Historic Santee Gun Club Clubhouse

An exhibition of new paintings and drawings by Katherine M Schneider entitled "From Dawn to Dusk" is on display

The Historic Santee Gun Club Clubhouse circa 1898
currently headquarters of the SCDNR at
Santee Coastal Reserve Wildlife Management Area
210 Santee Gun Club Rd. McClellanville, SC.

at the historic Santee Gun Club Clubhouse of the South Carolina Dept. of Natural Resources (SCDNR). The artworks on display are the artist's impressions of the habitats and wildlife of the SC Santee Coastal Reserve.

This diverse ecosystem is made up of 24,000 acres "including a variety of habitats including upland forests, freshwater, brackish and tidal wetlands and agricultural fields. The property is composed of Murphy Island, Cedar Island, The Cape, Washo Reserve and adjacent upland habitats.

Murphy Island, Cedar Island and The Cape are former rice fields managed for the benefit of breeding, migratory and wintering waterfowl, shorebirds and wading birds. Loggerhead sea turtles nest on Murphy and Cedar Islands. Washo Reserve, owned by The Nature Conservancy, is a 1,000-acre sanctuary consisting of a cypress lake that supports one of the largest Wood stork rookeries on the East Coast and a surrounding upland buffer.

 Schneider's plein air drawing of wind blown spanish moss
in a cypress tree at a freshwater impoundment
 at the Santee Coastal Reserve  

The upland habitat at SCR contains a diversity of forest types, including a natural stand of longleaf pine, Carolina bays and mixed hardwoods. The long-leaf pine and other forested areas support many colonies of the endangered Red-cockaded woodpecker, songbirds, raptors, butterflies, fox squirrels and other small mammals." (DNR managed lands site)


Over the past 5 months, Schneider has sketched and painted on location (en plein air) at Santee Coastal Reserve studying the land and inhabitants of the long leaf pine barrens, freshwater impoundments, tidal wetlands, former rice fields and South Santee River.

The setting sun creates dramatic light patterns
in the broom sedge grass of a long leaf pine barren as
 Katherine Schneider paints on location at Santee Coastal Reserve 

The field studies created over this time period developed strong impressions of the seasonal changes in the landscape, native wildlife and migratory birds and have provided a store of material from which the artworks in the exhibit "From Dawn to Dusk" have evolved.  

                                                                                                 

The exhibit "From Dawn to Dusk" Paintings and Drawings of the Santee Coastal Reserve by Katherine M. Schneider is open to the public Mon.-Thurs. 9:00am to 4:00pm at the Santee Coastal Reserve Clubhouse, 210 Santee Gun Club Rd. McClellanville, SC. Phone (843) 546-6062.

Charcoal Drawings...Works in Progress

Charcoal is a good medium to use in developing artistic ideas on location and in the studio. I like the easy way drawing with vine charcoal enables me to adjust values and compositional elements when I'm doing field studies. 

Here are two charcoal drawings I've recently completed. Although I'm using them to develop the subjects into larger paintings, charcoal drawings such as these are often valued as collectable artworks on their own merit. 

"Cabin in the Oaks"
by
Katherine Schneider
Vine charcoal on paper
11"x14"

"Evening Shadows"
Charcoal on canvas
12x16

Brookgreen Gardens Presents Exhibit "Willard Hirsch: Charleston's Sculptor"

"Fighting Stallions" by Anna Hyatt Huntington (1876 - 1973)
at the entrance to Brookgreen Gardens
Pawleys Island, SC

A retrospective exhibit of select works by Willard Hirsch (1905-1982)  "Willard Hirsch: Charleston's Sculptor" is on view in the Rainey Sculpture Pavilion at Brookgreen Gardens from Jan. 26- April 1, 2013.

View of "Willard Hirsch: Charleston's Sculptor" exhibit
Rainey Sculpture Pavilion
 Brookgreen Gardens
2013

The exhibit, traveling from The Gibbs Museum of Art in Charleston SC, presents a variety of modeled, carved, and cast works from Hirsch's career spanning 50 years. 

Robin R. Salmon
Vice President for Art and Historical Collections and
Curator of Sculpture for Brookgreen Gardens
admires Hirsch's red oak carving
"Joshua at Jerico"
circa 1950
(Collection of the Gibbs Museum of Art)

An opening reception held at Brookgreen Gardens on Jan. 25, 2013 was a opportunity for admirers to preview the exhibition and meet the sculptor's daughter, Ms.Jane Hirsch.

Susan Polack, Jane Hirsch (the sculptor's daughter), and Jane Fluet
discuss Hirsch's work near a model of Hirsch's
"Cassique of Kiawah"

A heroic size bronze casting of the figure representing a Chief of the Kiawah Indian tribe, the "Cassique of Kiawah" was installed in 1971 at Charlestown Landing State Historic Site Charleston SC.

Cheryl Reilly (board member) and Karen Korszeniewski (president) of the Friends of Huntington Beach State Park meet a new friend by Hirsch's beloved figure, "The Little Dancer". 

Pamela Belser, Alberta Lachicotte Quattlebaum, and Becky Sparrow 
enjoy the evening of art and good company at Brookgreen Gardens, January 25, 2013. 

Great Weather for Plein Air Painting In the SC Lowcountry

. 

My painting and easel  set up on a quiet country road.
As the light faded, a family of deer wandered across the road.
They move soft as shadows.

Sunlight filtering through live oaks on a country road and cool fall weather made for great painting in the ACE basin today.  I'm working on a larger canvas (36"x48") that will take several painting sessions to complete. 

Pictured here is my custom made canvas panel with an under painting of neutral grey-green and dark tones. Next, I'll work on developing abstract light and shadow patterns in the trees. It's often useful to simplify a subject with this much visual "information". Including too much detail will weaken the overall design and cause the painting to look cluttered. 

 I'm working to create a painting about softly filtered sunlight and sheltering live oaks on a road less traveled. A scene of timeless beauty increasingly hard to find ...

Katherine M. Schneider Contributes to Book "Art Is a Powerful Language: Willard Hirsch The Man-The Artist"

"Art is a Powerful Language" compiled by Jane Hirsch
displayed with terra cotta bas-relief sculpture of
Katherine Muschick Schneider
by Willard Hirsch

I was honored to contribute to a new book about Willard Hirsch (1905-1982)  "Art Is a Powerful Language : Willard Hirsch -The Man, The Artist". 

The book, published in conjunction with  retrospective exhibitions at the Gibbs Museum of Art (Sept 21-Dec.30,2012) and Brookgreen Gardens  ( Jan 26-April 21,2013), is a compilation by Jane Hirsch of essays and photographs of her father's life and works spanning 50 years. 

Angela D. Mack, Executive Director of the Gibbs Museum of Art has this to say about the book : "Art Is a Powerful Language is a much-overdue account of Willard Hirsch. His sculptures have long been part of the artistic landscape of this region, but until now little has been written about his training, career, and influence. Along with William Halsey and Corrie McCallum, Hirsch dominated artistic production in Charleston after World War II. He Became part of a long tradition of area art instruction that has led to what many refer to today as a second Charleston renaissance."

Katherine Schneider in her  studio
attaching Hirsch L hinges to  plaster cast mold
circa 1979

I was one of many young regional artists who benefited from Mr.Hirsch's training and instruction. He taught me the value of working from life, often using inventions of his own in the creation of artwork.  I feel fortunate to have known and worked with him in his Queen St. studio in the 1970's.

Willard Hirsch (1980) working in his
studio at 2 Queen St Chas SC.

Even at this late stage of his career, Mr. Hirsch was actively working on numerous public and private projects. He was a man of sharp wit, firm standards, and great integrity.  As this book documents, his work displays a depth and breath of creative ingenuity rarely seen.

"Art Is a Powerful Language : Willard Hirsch- The Man, The Artist" is available from the publisher Home House Press at www.homehousepress.org and the Gibbs Museum of Art www.gibbsmuseum.org.

Iconic Charleston Sculptor Willard Hirsch (1905-1982) Honored at Gibbs Museum of Art

In 1979, Sculptor Willard Hirsch viewed his bronze -"Stephan"at his
Gibbs Museum of Art retrospective exhibition
 curated by Martha R. Severens

Willard N. Hirsch "Charleston's Sculptor" (1905-1982) is being honored by an exhibition at the Gibbs Museum of Art and the release of a new book of his work spanning a career of over 50 years.

At the preview reception for the 2012 exhibition "Willard Hirsch: Charleston's Sculptor", Jane Elizabeth Hirsch and Jacob Alexander Hirsch, Hirsch's children, spoke about their father's lasting contributions to Charleston and it's arts community. They noted that in addition to completing numerous public and private sculptural works, Mr. Hirsch was a pioneer of fine art instruction in Charleston and founding member of the Charleston Artist Guild.

A new book "Art Is a Powerful Language  Willard Hirsch-The Man, The Artist" has been published in conjunction with the 2012 exhibition. The book, compiled by Jane Hirsch, includes essays by art historian and former Gibbs Museum of Art curator of collections Martha R. Severens, wild life painter Anne Worsham Richardson, family members, friends and students. In addition, the volume is filled with impressive, high definition photographs by Douglas Pinkerton illustrating the beauty and diversity of Mr. Hirsch's sculpture.

The book "Art Is a Powerful Language Willard Hirsch-The Man, The Artist" compiled by Jane Elizabeth Hirsch is available at the Gibbs Museum of Art Museum Store and from the publisher, HomeHouse Press.

The exhibition "Willard Hirsch: Charleston's Sculptor" is on view at the Gibbs Museum of Art 135 Meeting St. Charleston SC from September 21-December 30, 2012.

Additional essays in the blog about Willard Hirsch link here.

Oil Painting by Katherine Schneider Chosen for Cover of New Book "Carolina Christmas: Archibald Rutledge's Enduring Holiday Stories"

"Carolina Christmas:
Archibald Rutledge's Enduring Holiday Stories"
Edited by Jim Casada
Oil painting by Katherine Schneider

A oil painting of Hampton Plantation by artist Katherine Schneider has been chosen for the cover of a new book "Carolina Christmas: Archibald Rutledge's Enduring Holiday Stories" edited by Jim Casada published by the University of South Carolina Press.

"Evening Light on Hampton Plantation" an original oil painting done on location at Rutledge's ancestral home was selected by the publisher for the cover. (click here for more information about the painting).

The book features a collection of holiday stories by Archibald Rutledge (1883 -1973) one of the most prolific outdoor and nature writers of the 20th century and the first Poet Laureate of South Carolina. 


Copies of Carolina Christmas are available in the Charleston area at Barnes & Noble, Books-a-Million,  Waldenbooks, Blue Bicycle Books, the Ravenous Reader, the Preservation Society of Charleston Bookshop, Historic Charleston Foundation, and Middleton Place.

Sketching On A Summer Evening

I've always admired the way sunlight and shadows move in the branches of ancient live oak trees. Lately I've been sketching these light effects and the movement of moss blowing in the summer breeze through the trees. I'm hoping to be able to evoke  the spirit of these graceful trees in an upcoming series of paintings. 

Here's a recent sketch I did of a moss covered branch of a live oak in the evening breeze.  Love these old oak trees - so strong, enduring, and graceful in all types of weather...